What NOT to do when a literary agent reads your book

Three years ago, I finished my first book, The Maid’s Room. I entered it into a competition and although it didn’t win, it was among the final three on the shortlist. A literary agent liked it enough to meet me and ran through the things I should change. One thing I needed to do was big up one of my main characters.

I patted and shaped, tore the book to pieces and put it back together again. And in the middle of all this, I ended up on the shortlist of another major competition. Yes, I clenched my fists and jumped up and down. This is it: signing with an agent, here I come. Except, it didn’t quite go like that.

The agent enjoyed the first half of The Maid’s Room, but didn’t fall in love with it. Oh I admit it, I snivelled.

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But not for long. The next day, I started my second novel and spent three months bashing away at the keyboard until it was finished. (It’s now in the polishing stages.)

Something unexpected happened then. I started to think about The Maid’s Room. I tried not to, I really did, but there it was – with its underground car parks, its jackfruit and its rambutans. There it was, with its slums and sand clogged with hair. I could see suddenly how everything in the story connected. I hadn’t seen it back then when I’d been so close to landing an agent. When she’d asked me to rewrite a third of the book and give that character new life, what I’d done was create someone flat and unbelievable, someone dull, not the feisty and clever and tactless woman she is now, not the woman with three dimensions instead of just two. Worse than that though, I’d written the whole damn soul out of the book.

Well, now, I’ve put the soul back in. I’m proud of it, really proud, in a way that I wasn’t before. Best make a start on sending it out then……

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