What did I learn about writing a novel last year? Well, quite a few things actually. How to have a normal conversation after writing for eight hours with no human contact whatsoever. A whole heap of responses to rejection letters that didn’t involve screaming expletives. (Deeper frown line accrued.)
But here are the three biggies, things I’m going to try hard not to repeat. I’d already been told these were no-nos, it’s just I chose to ignore the advice. Well not any more.
I’m turning myself into an advice sponge. I’m going to lap it up like a ladyfinger.
1 Burn the Patois
God, I love Trainspotting. Brought up on a diet of Ayes and Help my Bobs, via The Broons and Oor Wullie, I throw in the old colloquials whenever I can. Well, that’s alright in dialogue, but the whole narrative? An editor from a major publishing company who gave me some fantastic advice a fortnight ago expressed a preference for bog standard English. Okay, so I know some writers do experimental narrative well, but it’s not working for my book. ‘The patois creates a distance between the character and reader,’ one literary agent told me. So adios, patois. Laters. Kapitche.
2. Make sure your characters have an arc
My characters are distinct – that’s one thing that all the agents who’ve read my book have agreed on. It’s just one of my characters has no internal arc. In my head, she was a put-upon angry young thing who’d eventually transform into a formidable business woman. On my computer screen, however, this character was as flat as a chapati with breeze blocks piled on top. Your characters need to change. They need a turning point in which they start to act differently. List the changes. Write them down, pin them to your wall. Your characters need to grow.
3. Start in the right place
My central character, the one that has the sharpest edges and spikiest tongue, her story doesn’t really get going until page 70. Cue major edit. Your character’s story needs to start on page one. There has to be an inciting incident to tip your reader into the narrative. It needs to be powerful enough to keep your reader turning the pages. Magnetize them. Draw them in. To do this, create conflict straightaway, things that are at stake.
5 thoughts on “New Novel Resolutions: Things I’ll never do again”
Interesting post Fiona… agree re points 2&3 but no. 1 makes me sad; were the recommendations specifically for your book or stories in general?
As a reader I prefer the narrator being as rounded as the characters and very much welcome non-standard; as a writer I struggle to make my narrative bog-standard English and mask my true voice…
Thanks for commenting, Poppy. Voice is hugely important and should never be masked.It was just that two of my characters are main narrators, and spoke in broken English which was a bit clunky. They read much better in regular prose – however they do still have distinct voices and personalities.
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Ah… that makes sense! Look forward to reading it ☺
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I really enjoyed reading this. Number 2 has been really interesting as I have a character that I had thought could get from a to b in the background but as soon as I read this I realised I need to work on his arc for the benefit of the whole story.
Thanks, Katie. Glad it helped!